mmmmarginalia:

if You Printed the Internet (in 2008)

A Blackstrap is just 74 pages…easier to travel with.

Father’s Day is coming. The Blackstrap crew feels like giving your father a book full of amazing articles might be the perfect gift…but we’re biased.

Order your book before Friday 6/10 at 7 AM EST and your book will get there in time.

Your Dad’s brain will appreciate it.

“Start-up creative agency Hodcha and Alexis Nuselovici of Cardiff University worked together to develop an event-based model of publishing. Book Kernel allows audiences to curate and print a personal memento of a live event, incorporating selected content, social media interaction and contextual information.”

“Big distributors are influencing the reader’s behavior and mindset: as an example, the Kindle app for desktop computers doesn’t allow copy-paste. The lack of this feature, clearly against the intrinsic tendency of the medium, is supposedly a market-driven choice: the e-books that sell the most are fiction, and it is generally thought that readers don’t need to copy-paste much from a fiction book. In return they’re allowed to share passages on Facebook and Twitter. The service offered by the big players, inevitably conditioned by a commercial logic, not only determines a purchase process, but a usage pattern. And the application of a usage pattern to the book corresponds to the instillation of a cultural model.”

The Book as Directory, Silvio Lorusso (2013)

Culture changes and that’s ok. However, the feeding of culture should maintain a panoply of mechanisms for inserting ideas into the cultural stream.

The thing about book’s disconnectedness is that that disconnectedness allows culture to flow in non-standard ways. Putting cultural inputs onto a standardized, connected platform seems better for computers than for humans. 

Blackstrap is excited about disconnecting content because it allows readers to insert knowledge into the stream through their own specialized ways.

(via mmmmarginalia)

“Vinyl and cassettes have thus become post-digital media. They exist today only because they compensate for deficiencies of digital files — deficiencies that are both aesthetic and social, since tangible media are means of face-to-face interpersonal exchange. Exactly the same is true for the booming media of artistic printmaking: zines are made because they are not blogs, artists’ DIY books are printed because they are not web sites or PDFs.”

Florian Cramer, Post-digital Aesthetics ◊ Jeu de Paume / le magazine (via mmmmarginalia)

Importantly these niches fulfill aesthetic and social deficiencies. These deficiencies can be accounted for, but in accounting for them what is lost? Perhaps a better question is - Why lose them? Structure your life to absorb maximally through a variety of content consumption approaches.

(via mmmmarginalia)

“Slow down.
Desynchronize from standard time frames and surprising opportunities may present themselves.”

Incomplete Manifesto for Growth

Bruce Mau’s 43 lessons (and growing) are remarkable. We felt this was particularly relevant to the work we do at Blackstrap on behalf of our readers.

“As every aspect of our daily lives has become hyperconnected, some people on the cutting edge of tech are trying their best to push it back a few feet. Keeping their phone in their pocket. Turning off their home Wi-Fi at night or on weekends. And reading books on paper, rather than pixels.”

Disruptions: Even the Tech Elites Leave Gadgets Behind

And we welcome them to Blackstrap. Come be undistracted…for a bit.